| Four examples of double-faced weave. 3/1 twill on one surface and a different weave on the reverse of each one |
| Chunky "fluffy stuff" almost floats on the surface so it is not wasted by being trapped in the weave. This can be achieved in either warp or weft direction. |
| Unfinished at this stage, these floats will be snipped into fringes or "eyelashes". |
| Free to meander in warp or weft direction, a big bold supplementary yarn can be manipulated easily but gets trapped in place by a few picks of close weave. |
| Both warp and weft floats sit on top of a close foundation weave, stitched at enough points to make a stable fabric but leaving the texture on top. |
| More integrated into the weave but still floating enough to make a bold statement with textured yarn. |
| Showing a loose-looking weave with a thick yarn on the top (left) held in place by a reinforced weave underneath (right) |




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